Imagine spotting a massive billboard declaring a band 'is real' right across from your state's capitol building – now that's a statement that screams attention! But here's where it gets intriguing: this isn't just any advertisement; it's for the death metal band Sanguisugabogg, proudly proclaiming their existence in their hometown of Columbus, Ohio. And this is the part most people miss – it's tied to the fresh release of their album, Hideous Aftermath, which dropped last week via Century Media Records. For beginners diving into the heavy metal scene, think of Sanguisugabogg as a band that pushes the boundaries of extreme music, blending brutal sounds with themes that might make some listeners squirm. Their billboard, towering above the landscape, isn't shy about reminding everyone they're out there making waves.
But here's where it gets controversial – placing such a bold, underground promotion smack in front of the Ohio Statehouse could spark debates. Is this a clever nod to freedom of expression, or does it clash uncomfortably with the solemnity of government grounds? Some might argue it's a harmless stunt in a city known for its vibrant music scene, while others could see it as provocative or even disrespectful. After all, mixing the raw energy of death metal with the heart of state power might ignite opinions on where art and authority intersect.
To back up this new release, Sanguisugabogg is hitting the road on a U.S. tour alongside some heavy-hitters like Despised Icon, Defeated Sanity, and Corpse Pile, with additional support from Ringworm, Skinless, Upon Stone, Bayway, Everybody Dies, Gorgasm, Volcano, Ran Thru, Bludgeoned By Deformity, and Anatomize on selected shows. It's a lineup that's sure to deliver intense performances, perfect for fans who thrive on the chaos of live metal. The dates are as follows:
- November 4: Detroit, MI at St. Andrew's Music Hall (with Everybody Dies)
- November 5: Chicago, IL at Metro (with Everybody Dies and Gorgasm)
- November 6: Indianapolis, IN at Deluxe – Old National Centre (with Volcano and Ran Thru)
- November 7: Lawrence, KS at The Granada
- November 8: Denver, CO at Summit Music Hall
- November 9: Albuquerque, NM at El Rey
- November 11: Phoenix, AZ at The Nile Theatre (with Upon Stone)
- November 12: Santa Ana, CA at The Observatory (with Upon Stone)
- November 13: Berkeley, CA at UC Theatre (with Upon Stone)
- November 14: Los Angeles, CA at The Regent (with Upon Stone)
- November 15: Las Vegas, NV at Fremont Country Club (with Upon Stone)
- November 17: Dallas, TX at Echo Lounge & Music Hall
- November 18: Austin, TX at Mohawk (with Bayway)
- November 19: Houston, TX at White Oak downstairs (with Bayway)
- November 21: Tampa, FL at The Orpheum (with Bayway)
- November 22: Atlanta, GA at The Masquerade (with Bayway)
- November 23: Charlotte, NC at The Underground (with Bayway)
- November 25: Pittsburgh, PA at Roxian Theatre
- November 26: Baltimore, MD at Soundstage
- November 28: New York, NY at Irving Plaza
- November 29: Philadelphia, PA at Union Transfer
- November 30: Columbus, OH at The King of Clubs (with Ringworm and Anatomize)
If you're itching to check out this eye-catching display yourself, head over to the location above Tasty Dawg at 107 S High St, Columbus, OH – it's a convenient spot for locals and visitors alike to witness this unique piece of promotional history.
What do you think – is putting up a billboard like this near a statehouse a genius move for exposure, or does it cross a line into tasteless territory? Do you agree that bands like Sanguisugabogg deserve more spotlight in mainstream culture, or should they stick to niche scenes? Share your thoughts in the comments – I'd love to hear your take and see if we can debate the role of extreme music in society!
